Women Characters in Othello and The Rover Essay Example | Topics and Well Written Essays - 750 words

Women Characters in Othello and The rover - Essay ExampleThe black markets Othello by William Shakespeare and The Rover by Aphra Behn bear the essence of their time and most importantly both these contemporary plays have emerged beyond their time, captivating some of the most recent post-modern interpretations and feministic flex of perception has been poignant in their purview. Role of Women in the Plays Othello and The Rover Against the Context of the Male Dominated Society In order to discuss the alternative situation of women in the plays that has evolved from a male dominated society, it is essential to judge the genre of both the works as the nature of the plays shall evidently determine the perspective from which the women and her empowerment as an alternative factor in a society dominated by masculine facades are presented. It is noteworthy that the play, Othello by William Shakespeare is out and out a tragedy, where Desdemona, the victim and the wife of Othello falls pre y into the trap of misunderstanding and false infidelity from her husbands end. On the other hand, The Rover by Aphra Behn is a very popular Restoration Comedy where at that place are multiple plots and intriguingly all of them contain women as a pivot to the plot development. In Othello Shakespeare has try to portray a strong Venetian patriarchal society where the women are viewed as an object of possession, an entity of subjugation, a temptress and a whore merely at the same platform they are also viewed as powerless creatures falling into the omnipotent and all-pervasive clutches of destiny designed by men themselves. The three women parting Desdemona, Emilia and Bianca are seen at the outset of the play respecting men almost to the point of worshipping them. But Desdemonas tragical trajectory definitely serves as a lesson to the other women and Desdemona as well. Emilia is seen evolving out as a power centre in the play after the tragic consequence of Desdemona and by the advent of the play, women characters in the play are shown internalising societys expectations about them. On the same platform they were shown to scale down under and accept the male authority, behaving the way men want them to react and that seems natural to them and to the readers. But in their private moments, they are seen evolving as an alternative power centre in the male dominated society, Nay, we must think men are not gods (Shakespeare, 2008). The evolution or the transformation of women characters and the kind of language and actions of women characters structured in the plot of the play Othello by Shakespeare indicate that Shakespeares three women characters although seem subservient but the women characters in the play exhibit a role that indicates a step tentative of approach towards an equalitarian society. This is achieved by the female characters of the play by coming out of the conventional role allotted to the women by men folk of the society. The play The Rov er is an excellent piece of restoration buffoonery which was written in two halves and the first part is divided into five plots. There is a definite and pertinent feministic bent within the plot of the play which is displayed through fragmented instances and incidents in the play pertaining to women, vulnerable to rape. Also the tragic consequence of Angellica after being jilted by Wilmore, it becomes quite obvious that Behn used the platform of comedy to launch a protest movement against the powerless status of women in her society. Every plot of the play has a women character subjugated to injustice and misery in the play. And all these women characters simultaneously try to crumple free the conventional role assigned to them by the society to evolve out as colleague and sometimes superior to the men in the play. For